Runs entirely offline

See the noise.
Then paint it out.

A multitrack audio editor that shows your recording as a spectrogram, so a cough under a voice or a chair scrape becomes a shape you can select and remove — leaving everything around it untouched. No account, no upload, no subscription.

Download for macOS See what it does

Version 1.0.0 · Apple Silicon · 13 MB

SPECTRAL VIEW — 2048-POINT FFT 0 Hz → 22 kHz

Everything happens on your machine

Recording, editing, restoration and separation all run locally. Nothing is uploaded, which means client material never leaves the room it was recorded in.

Multitrack and single-file

Arrange a session across tracks, or open one file and work on it directly — trim, gain, normalise, fade, reverse, with undo that stores only what changed.

Spectral frequency display

Sound drawn as time against frequency. Select a region and attenuate it, or heal it from the moments either side so no hole is left behind.

Restoration tools

Adaptive noise reduction, DeReverb, Voice Enhance and de-click, each working from a noise floor estimated from the recording itself.

17 built-in effects

EQ and graphic EQ, compressor, limiter, gate, de-esser, multiband, reverb, delay, chorus, flanger, phaser, stereo width and filters.

VST3 plug-ins

Your own plug-ins load into any chain, each hosted in a separate process so a plug-in that crashes takes itself down and not your session.

Automation lanes

Draw volume, pan or any effect parameter over time, with linear, hold and smooth curves between breakpoints.

Broadcast loudness

ITU-R BS.1770-4 and EBU R128 metering with true peak from a 4×-oversampled signal, and targets for the platforms you deliver to.

Cut to picture

Import a video and its audio arrives as an ordinary clip, so every tool works on it while the picture follows the transport.

Export and batch

WAV, AIFF, FLAC and MP3 with real dither, batch jobs across a session, markers, regions and a project archive format.

Essential Sound, when you don't want to think about it

Say what the audio is — dialogue, music, sound effects or ambience — and get processing suited to it, with a loudness target that matches where it is going.

Apple & Spotify
−16 LUFS
Streaming music
−14 LUFS
EBU R128
−23 LUFS
Netflix
−27 LUFS

Split a mix into vocals and backing

Source separation runs offline on your own machine. The model is fetched once, from inside the app, with a button — no hunting for files and no dragging anything into a folder.

One 75 MB download, the first time

Separation uses Spleeter, whose weights are MIT-licensed and published separately from the app. The first time you open the separation dialog there is a Download button beside the model; press it once and the weights are verified against a checksum and kept for next time.

Spleeter models frequencies up to 11 kHz, so its stems have less sparkle at the top than the original. That is how the model was built, and the app says so before you spend the download.

Get it on your machine

Currently built for Apple Silicon Macs. Windows and Linux are not ready yet.

Go to downloads